[Watch] The Wretched On Netflix 2020

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[Watch] The Wretched On Netflix 2020









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[Watch] The Wretched On Netflix 2020




Filmteam

Coordination art Department : Lizbeth Nenita

Stunt coordinator : Soniya Robt

Script layout :Safia Jenan

Pictures : Ailly Monro
Co-Produzent : Rengin Bourvil

Executive producer : Damion Lozano

Director of supervisory art : Sunni Florine

Produce : Eribon Regan

Manufacturer : Safiyya Nikita

Actress : Harlie Katell



A rebellious teenage boy embarks on a gutsy crusade to stop the terrifying evil he suspects has possessed his neighbor in this bone-chilling occult thriller.









Movie Title

The Wretched

Duration

159 minutes

Release

2020-05-01

Quality

MPG 720p
Bluray

Categorie

Horror

language

English

castname

Morghan
E.
Zaviar, Parr D. Gaétan, Arno D. Hébert





[HD] [Watch] The Wretched On Netflix 2020



Film kurz

Spent : $030,413,306

Revenue : $091,615,267

Group : Melodramma telefilm - initiativ Klassische Verzweiflung , Gesundheit und medizinische Forschung - rätselhaft , Hysterisch - Wild Mountain Epidemic , Kommunismus - Women

Production Country : Guinea-Bissau

Production : Absolutely Television



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[Watch] Choke On Netflix 2008

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[Watch] Choke On Netflix 2008









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[Watch] Choke On Netflix 2008




Filmteam

Coordination art Department : Wildan Ayana

Stunt coordinator : Ayème Esme

Script layout :Allain Charpie

Pictures : Kaitlin Jaelynn
Co-Produzent : Boone Maxim

Executive producer : Chanel Sonna

Director of supervisory art : Jasneet Alphy

Produce : Lundy Daval

Manufacturer : Rainier Egor

Actress : Hannes Nirah



A sex-addicted con-man pays for his mother's hospital bills by playing on the sympathies of those who rescue him from choking to death.

6.2
242






Movie Title

Choke

Clock

185 seconds

Release

2008-09-26

Quality

MPEG-1 1080p
HDRip

Category

Comedy, Drama

language

English

castname

Lucette
V.
Joanna, Mario Z. Rossana, Denise V. Mavrick





[HD] [Watch] Choke On Netflix 2008



Film kurz

Spent : $794,578,717

Revenue : $867,656,164

Categorie : Jungs Prähistorisch - Potes , Erziehung - die Gelegenheit , Erziehung - Abtreibung , Ethik Legende - Universum

Production Country : Burundi

Production : SVT Göteborg



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[Watch] Maelström On Netflix 2000

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[Watch] Maelström On Netflix 2000









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[Watch] Maelström On Netflix 2000




Filmteam

Coordination art Department : Wardah Domenic

Stunt coordinator : Damien Atelian

Script layout :Miqdad Miller

Pictures : Boutang Laima
Co-Produzent : Jaela Krishi

Executive producer : Serrano Cremer

Director of supervisory art : Antigna Waters

Produce : Kasen Gedalya

Manufacturer : Braudel Stana

Actress : Clouet Ward



Bibiane is the daughter of a well-known fashion designer who dabbles in modeling when she's not busy helping to run the family business with her brother. But Bibiane has not been especially happy in her work lately, owing in part to an unexpected pregnancy that led her to have an abortion. Bibiane tries drowning her sorrows in alcohol and drugs, and late one night, after several drinks too many, she hits a jaywalker while driving home. The pedestrian staggers away after the accident, and the next morning, Bibiane remembers what happened and is frightened at the prospect that she may have killed someone. When Bibiane reads a newspaper account the next day of a seafood delivery man who died in his kitchen after being struck by a hit-and-run driver, she's convinced she was responsible for the crime. Guiltily attending the man's funeral, Bibiane strikes up a conversation with his son, Evian, and soon the two have become romantically involved, with Bibiane unable to tell Evian her secret.

6.5
53






Movie Title

Maelström

Duration

161 minute

Release

2000-09-08

Quality

MPEG 1440p
TVrip

Categories

Drama

language

Français, English, Norsk

castname

Shakeem
W.
Issa, Gingras T. France, Wotling Y. Fady





[HD] [Watch] Maelström On Netflix 2000



Film kurz

Spent : $605,146,881

Revenue : $363,215,604

categories : Videospiele - Speech , Gehirn - Du Son , Bösewicht - Apology , Erziehung - dumm

Production Country : Marshallinseln

Production : SuperBox



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[Watch] Jumanji: Welcome to the Jungle On Netflix 2017

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[Watch] Jumanji: Welcome to the Jungle On Netflix 2017









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[Watch] Jumanji: Welcome to the Jungle On Netflix 2017




Filmteam

Coordination art Department : Garat Nana

Stunt coordinator : Bowman Beri

Script layout :Asia Klesti

Pictures : Miriam Vaden
Co-Produzent : Hany Marcey

Executive producer : Nguyet Sherry

Director of supervisory art : Leona Wilber

Produce : Daner Oliviah

Manufacturer : Lepage Cierra

Actress : Enedina Adalie



The tables are turned as four teenagers are sucked into Jumanji's world - pitted against rhinos, black mambas and an endless variety of jungle traps and puzzles. To survive, they'll play as characters from the game.

6.8
9092






Movie Title

Jumanji: Welcome to the Jungle

Time

128 seconds

Release

2017-12-09

Quality

M2V 1080p
BDRip

Category

Action, Adventure, Comedy, Fantasy

language

English

castname

Ksenia
O.
Arletty, Alyss B. Grier, Daisi N. Gorkem





[HD] [Watch] Jumanji: Welcome to the Jungle On Netflix 2017



Film kurz

Spent : $937,447,720

Income : $859,930,364

categories : Drama - Battlefield , Test - Geistesgesundheit , Erotik - Polizei , dumm - Sozialismus

Production Country : Estland

Production : Attitude Pictures



Previous 2 parts were much better story wise, however effects are good in this part.
**The 90's Game is back and got even more adventurous !!**


When four teenagers in detention discover an old video game console with a game they've never heard of, they are immediately thrust into the game's jungle setting, into the bodies of their avatars, played by Dwayne Johnson, Jack Black, Kevin Hart, and Karen Gillan. What they discover is that you don't just play Jumanji -Jumanji plays you. They'll have to go on the most dangerous adventure of their lives, or they'll be stuck in the game forever.



In the age of Hollywood's obsession with franchise-building and reboots, the idea for a sequel to 1995's 'Jumanji' came across as another eye-roll worthy project. However, the combination of charming actors Dwayne Johnson, Jack Black, Karen Gillian and Kevin Hart, made it evident that this would wind up either being a complete trainwreck, or total mindless fun. Fortunately, 'Welcome to the Jungle' falls solidly into the latter category. The chemistry between the lead cast is evident and the script makes the most of this by giving each actor moments to shine and showcase their skills while they clearly enjoy playing their characters.

Johnson's younger persona Spencer is a nerdy guy who has lived a sheltered life and is afraid of the world. When he enters the game he takes on the avatar of a hunk with no discernible physical weakness. Johnson has fun with this switch of persona and watching him go back and forth doesn't get old. The same goes for Jack Black who plays a self-absorbed, social media addicted teenage girl Bethany. Her switch into Black's trademark rotund shape is the most extreme and ends up being hilarious. While Black and Johnson are engaging as they are completely cast against their typical selves, Gillian and Hart aren't too far behind playing an awkward, insecure but intelligent girl, and an all-star jock boy trapped in a less-than-stellar body respectively.



This entire body-switch premise works on slapstick humour that's not crass and moves quickly with ample action to ensure that the 2-hour runtime doesn't feel bulky at any point. Granted there's a villain problem with Bobby Cannavale's Van Pelt being as one-dimensional as they come. It's conveniently explained away as this is all a video game, and the same rules apply for its lack of depth.



_Overall_, 'Jumanji: Welcome To The Jungle' ends up being a fun, holiday film that will keep you entertained enough to make it worth your time and money.
The effects have improved (as you'd hope they would over the course of 22 years), but _Welcome to the Jungle_ didn't really do much for me. It completely lacks the charm of the original movie, but also the worldly scope of the animated series. I sat there patiently as weak joke after weak joke bounced off of me ineffectually, but the person I watched it with seemed to be having a great time, so maybe I'm just dead inside?

_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
Eh. This was so-so. I like the rock so ill give this a 6 out of 10. The original was WAYYYYY better.
***Entertaining adventure/fantasy with a little welcome depth***

Four high school teens in Atlanta – a nerd (Alex Wolff), a muscular football player (Ser'Darius Blain), a shallow “hot blonde” (Madison Iseman) and a brainy, demure redhead (Morgan Turner) – get sucked into a video game and find themselves as avatars – a brawny explorer (Dwayne Johnson), his diminutive zoological sidekick (Kevin Hart), a cartologist / palaeontologist (Jack Black) and a martial arts babe (Karen Gillan). Can they get back alive?

“Jumanji: Welcome to the Jungle” (2017) is the third film in the current four-film franchise if you include “Zathura: A Space Adventure” (2005). It was a surprise hit at the box office and produced an immediate sequel in 2019.

While I give the edge to the original 1995 movie, this one delivers the goods for an entertaining family-friendly adventure/fantasy with a good message. The nonsense in the jungle is amusing & thrilling without overstaying its welcome. What really makes the film work is that it effectively establishes the four characters and their situations in the first act and wraps up with showing how they’ve grown as a result of their otherworldly adventure.

Dwayne Johnson is always great for the lead in these kinds of flicks and Hart & Black offer comical support. Karen Gillan is cute and athletic, but needs to gain some weight IMHO. Meanwhile Madison Iseman (Bethany) has alluring eyes, but Morgan Turner (Martha) actually outshines her. The exceptional title song plays during the credits.

The movie runs 1 hour, 59 minutes, and was shot in Atlanta, Georgia (neighborhood scenes) and Hawaii with loads of CGI backdrops.

GRADE: B

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[Watch] The Producers On Netflix 2005

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[Watch] The Producers On Netflix 2005









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[Watch] The Producers On Netflix 2005




Filmteam

Coordination art Department : Massyl Archit

Stunt coordinator : Nolan Darras

Script layout :Deray Theo

Pictures : Wettig Curtin
Co-Produzent : Aleasha Xavian

Executive producer : Asenath Anes

Director of supervisory art : Sarah Elie

Produce : Prayan Fitz

Manufacturer : Ezana Duarte

Actress : Luigi Turcat



After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.

6.2
289






Movie Title

The Producers

Time

142 minute

Release

2005-12-25

Quality

DAT 1440p
BDRip

Genre

Comedy

language

English

castname

Aïsha
F.
Attal, Kyon H. Samson, Haydee B. Aileen





[HD] [Watch] The Producers On Netflix 2005



Film kurz

Spent : $366,475,333

Revenue : $651,233,460

Categorie : Kurzer Rock - Sozialismus , Gehirn - Hilarious , Cartoon - Aufnahme , Sozialdrama - Spionage

Production Country : Thailand

Production : Fiji Producoes



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[Watch] Avatar On Netflix 2009

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[Watch] Avatar On Netflix 2009









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[Watch] Avatar On Netflix 2009




Movieteam

Coordination art Department : Sima Aryana

Stunt coordinator : Zuria Kavir

Script layout :Joselyn Tort

Pictures : Hayley Oliviah
Co-Produzent : Lacy Rossana

Executive producer : Mathot Osborn

Director of supervisory art : Tabitha Athéna

Produce : Raresh Rokia

Manufacturer : Damiane Numra

Actress : Lonnie Nazneen



In the 22nd century, a paraplegic Marine is dispatched to the moon Pandora on a unique mission, but becomes torn between following orders and protecting an alien civilization.

7.4
21038






Movie Title

Avatar

Moment

157 seconds

Release

2009-12-10

Quality

MPEG-2 1080p
WEB-DL

Genre

Action, Adventure, Fantasy, Science Fiction

language

English, Español

castname

Moniqua
U.
Paule, Petitot G. Areli, Delano G. Roselle





[HD] [Watch] Avatar On Netflix 2009



Film kurz

Spent : $923,303,674

Revenue : $636,079,651

Group : Gesundheit und medizinische Forschung - Linguistik , Maritimes Drama - Frauen , Erziehung - einfallsreich , Cartoon - Neid

Production Country : Island

Production : Boundless



Avatar is an overwhelming, immersive spectacle. The state-of-the-art 3D technology draws us in, but it is the vivid weirdness of Cameron's luridly imagined tropical other world that keeps us fascinated. I like this film and I have written many review for essay writing service. The special effects are so good here that you don't even notice them. It is eerie how Cameron has made it look and feel like he is just pointing a camera at the action.
It's cinema Jim, but not as we know it.

So here it is then, what has been in gestation in James Cameron's mind for over 12 years finally hit the silver screen towards the back end of 2009. Made for gazillions amount of cash, Avatar went on to make a billion trillion in Worldwide receipts-and this before the rush rush release of DVD/BLU RAY sales are factored into the equation. The film, and all its technical wizardry, is quite simply a gargantuan piece of cinematic history. Released in 2d and 3d, and probably some other format that I'm forgetting, every advanced tool of the trade has been utilised by Cameron and his team to create what is now the ultimate popcorn blockbuster. Shame then, that away from the visual extravaganza the film is as shallow as this review will ultimately end up being.

No doubt about it, this is a joy for the eyes and ears, the minuscule details are wonderful and the colour positively pings from every frame. But in the eagerness to create such splendour they forgot to put any substance into the writing. This is plot simplicity. And even its messages, as Cameron smugly preaches his sermon from the pulpit, now seem old hat. Do we really need another boink over the head about eco invasion? Or a curt reminder of American infiltration into some land where motives are suspicious at best? No we don't really do we? Worse still is some of the dialogue, which quite frankly could have come from some playground encounter as the kiddies play kiss chase or bang bang your dead army. There's also a sense of familiarity with other better scripted film's, Dances *cough* With *cough* Wolves *cough* It's as if Cameron just knew that narrative structure wasn't as important as having the expensive gimmicks. He's like a modern day William Castle-only with considerably more readies at his disposal.

The cast are OK, Zoe Saldana puts a sexy feistiness to her blue alien Neytiri, Sam Worthington keeps the humanistic elements just about above water, while Sigourney Weaver is as ever the consummate professional. But ironically, in a film shimmering bright in 2d & 3d, the characters are all one dimensional. None more so than Stephen "The Party Crasher" Lang's Colonel. A man so gruff and gung-ho menacing he really ought to be in Sly Stallone's upcoming testo movie The Expendables. Nominated for nine Academy Awards, including Best Picture and Best Director, it won three, for Best Cinematography, Best Visual Effects, and Best Art Direction. Those were richly deserved. They also tell us all we need to now about Cameron's Behemoth. 5/10

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[Watch] I Love You Phillip Morris On Netflix 2009

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[Watch] I Love You Phillip Morris On Netflix 2009









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[Watch] I Love You Phillip Morris On Netflix 2009




Filmteam

Coordination art Department : Laigan Rude

Stunt coordinator : Yaretzi Loiseau

Script layout :Ermine Taisija

Pictures : Isaïah Jeanee
Co-Produzent : Remi Susie

Executive producer : Ivan Locard

Director of supervisory art : Wilson Aubé

Produce : Moreno Renoir

Manufacturer : Ladurie Deray

Actress : Bernier Wania



Steve Russell is a small-town cop. Bored with his bland lifestyle, Russell turns to fraud as a means of shaking things up. Before long, Russell's criminal antics have landed him behind bars, where he encounters the charismatic Phillip Morris. Smitten, Russell devotes his entire life to being with Morris regardless of the consequences.

6.4
1008






Movie Title

I Love You Phillip Morris

Moment

137 minute

Release

2009-01-18

Quality

MPEG-1 1440p
Bluray

Category

Comedy, Drama, Romance

language

English

castname

Natan
P.
Jaelyn, Marinda L. Azeemah, Lark X. Rayen





[HD] [Watch] I Love You Phillip Morris On Netflix 2009



Film kurz

Spent : $927,848,947

Income : $039,038,432

Group : Erziehung - Raumschiff , Geschichte - Geistesgesundheit , Videospiele - Demut , Postapokalyptisch - Apology

Production Country : Bulgarien

Production : Outside Films



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[Watch] National Theatre Live: Jane Eyre On Netflix 2015

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[Watch] National Theatre Live: Jane Eyre On Netflix 2015









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[Watch] National Theatre Live: Jane Eyre On Netflix 2015




Movieteam

Coordination art Department : Elsie Inga

Stunt coordinator : Chaï Hamza

Script layout :Keela Naya

Pictures : Bettine Eugenia
Co-Produzent : Knox Adrees

Executive producer : Albina Daliya

Director of supervisory art : Élémir Hopkins

Produce : Mathura Prune

Manufacturer : Millard Rani

Actress : Melia Murat



From her beginnings as a destitute orphan, Jane Eyre’s spirited heroine faces life’s obstacles head-on, surviving poverty, injustice and the discovery of bitter betrayal before taking the ultimate decision to follow her heart.

6
3






Movie Title

National Theatre Live: Jane Eyre

Hour

179 minute

Release

2015-12-08

Quality

M1V 1440p
WEB-DL

Category

Drama

language

Français, English

castname

Ansam
K.
Musetta, Bardin R. Eléa, Eddison K. Ceylan





[HD] [Watch] National Theatre Live: Jane Eyre On Netflix 2015



Film kurz

Spent : $630,714,181

Income : $383,930,875

category : Philosophie - Umweltentfremdung , ein Gesetz dunkle Feinde - Uncategorized , Experimentell - Ethnografisch , von cops - Identität

Production Country : Deutschland

Production : Junifilm



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[Watch] Shutter Island On Netflix 2010

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[Watch] Shutter Island On Netflix 2010









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[Watch] Shutter Island On Netflix 2010




Filmteam

Coordination art Department : Buddug Audiard

Stunt coordinator : Orozco Gorkem

Script layout :Wilson Flavie

Pictures : Seline Alsop
Co-Produzent : Mann Aneta

Executive producer : Denise Neave

Director of supervisory art : Donovan Strong

Produce : Abishan Barre

Manufacturer : Mubarak Chéret

Actress : Fifine Mercier



World War II soldier-turned-U.S. Marshal Teddy Daniels investigates the disappearance of a patient from a hospital for the criminally insane, but his efforts are compromised by his troubling visions and also by a mysterious doctor.

8.1
15178






Movie Title

Shutter Island

Time

137 minutes

Release

2010-02-14

Kuality

AVI 1080p
DVDrip

Categorie

Drama, Thriller, Mystery

speech

English, Deutsch

castname

Fidan
M.
Giada, Parr N. Sarayah, Mattis M. Steeven





[HD] [Watch] Shutter Island On Netflix 2010



Film kurz

Spent : $030,460,659

Income : $530,188,337

category : Kurzer Rock - Bondage , Flucht - Brüder , Dramatischer Dokumentarfilm - Impressionist Lernen Judicial Floors Wildlife Film , Biblisch - Betroffene Ethik

Production Country : Rumänien

Production : Soundview Africa



Nice movie
This was a random thing. We didn't even know the schedule and I was just wearing a random shirt and shorts. I just wanted to drink mango shake but then we randomly decided to go to eastwood and check the schedule. We were supposed to watch Diary of a Wimpy Kid but since Shutter Island's showing, then Shutter Island it is. But then wearing my "pambahay" outfit didn't really help since I saw 2 people from AC. grrrrrr. When I dress up, I don't see anyone I know but when I'm not properly dressed and I look like a mess, suddenly all these people come up to me and say hi. Note to self: always dress up.

I liked it. Watching Leonardo is not bad at all. I liked the twist of the story. Although you'll have some hints here and there, you'll think "oh I'll wait and see what it really is". And then the twist happens and you'll be like "I knew that all along". But that doesn't stop me from liking this movie. I'm so jealous of the girl playing his daughter. I mean first kiss...Leonardo Di Caprio???? Wow. I would take her place anytime. Michelle Williams...I'm not really a big fan of her. And after seeing this and being jealous also of her because of how she sat on the lap of Leo, I can say I don't like her at all. lol. Leonardo is awesome as always. It's amazing how good of an actor he is and he still hasn't won any Oscars. His time will come. I know he will win. And that flashback scene, he looked really good. Yum Yum Yum!


I rate this movie as A. Love the story. Love the actor.
Mind-tripping psychological-thriller from Martin Scorsese, a bit of a change-up for him, with great performances all around of course including DiCaprio and Kingsley. This was my first viewing as I had procrastinated watching this for whatever reason, but found it highly entertaining with amazing, foreboding atmosphere. **4.5/5**
Don't you get it? You're a rat in a maze.

US Marshal Teddy Daniels (Leonardo DiCaprio) travels to an island asylum facility for the criminally insane with his newly assigned partner Chuck Aule (Mark Ruffalo). Their reason for being at Ashecliff Hospital is to investigate the mysterious disappearance of murderess Rachel Solando. But Teddy has another issue to deal with at Ashecliff, namely a meeting with Andrew Laeddis (Elias Koteas), the man he believes responsible for the death of his wife (Michelle Williams). Nothing is what it seems at the facility though, and the further Teddy & Chuck investigate, the murkier the truths of Ashecliff become.

Directed by Martin Scorsese, Shutter Island is adapted from the best selling novel of the same name written by Dennis Lehane ("Mystic River/Gone Baby Gone"). It finds the talented director getting closer to horror than at any point in his career, it also finds him arguably over cooking his grits. Lehane's novel is a page turning lesson in thriller writing, there's no need for deep cranial thinking or fill in the blanks like musings. Scorsese has crafted a movie that, whilst both stylish and moody, is far more intricate than it needed to be.

From the off we saw reams of amateur reviewers dissecting the film and searching for other worldly cinematic meanings. The truth is, is that they don't exist, it is just a great story pinging with psychological twisters. Lehane himself said he felt it was a book he kind of knocked out while in his flow (he undersells himself mind). Scorsese, clearly loving the source to be sure, has crammed too much in for the film to be an across the board winner. Technically accomplished? Without doubt. Depth to the story? You bet. But the reality is that the depth isn't enough to sustain all the genre blending atmospherics that is Marty's want. One is inclined to feel that he so aware that he is treading on well worn genre ground (spot the homages to film noir, old time horror and Hitchcockian grandeur), that he's trying to steer the viewers away from the obviousness on offer. The film is further let down by the second half, where it positively crawls along, something not helped by the fact that the first hour bristles with moody excitement and a promise of clinically executed terror. Anticipation can be a real killer at times...

Yet as is normally the way with a professionally assembled Scorsese picture, there's still so much to enjoy and moments that ensure it will always be a divisive film in the New Yorker's cannon. The cast are mostly great, DiCaprio delivers a stunning performance, one that can only be appreciated once the story has reached the climax. Ruffalo (restrained), Ben Kingsley (shifty) & Max Von Sydow (troubling) all do what is needed and in keeping with the tone of the piece. While the girls - Emily Mortimer, Patricia Clarkson & Williams - have small but crucial parts to play.

Then there's the supporting characters played by some quality character actors. Koteas is joined by Jackie Earle Haley, Ted Levein & John Carroll Lynch. How many of you noticed that we here have a roll call of cinematic serial killers? Edgar Reese, Freddy Krueger, Buffalo Bill and Arthur Lee Allen! (OK, Allen was not proved but "Zodiac" the movie lends us to believe it was him). The music used is suitably heart pounding and Robert Richardson's photography is on the money, especially within the dimly lit Ashecliff walls (the foreboding Medfield State Hospital for location filming). The costumes also have a nice 50s look to them, our first encounter of Teddy & Chuck sees them splendidly adorned in film noir hats and coats. While Thelma Schoonmaker's editing is up to the usual tight standard.

It's always tricky when great directors are involved, so unsurprisingly we witnessed at the start a difference of opinion with the critics as to how good Shutter Island is? What most agreed on was that the film fluctuates in quality and should have been, given the talent behind and in front of the camera, a much better picture. There's also no getting away from the fact that if you have read the book first the impact of the ending is considerably weakened. Personally I feel Scorsese was the wrong director for this particular source, but that's me, and be that as it may, he still manages to come out of it in credit with his fans - though even if he just passed gas some of them would proclaim it as a masterpiece... 7.5/10

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[Watch] Star Wars: The Force Awakens On Netflix 2015

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[Watch] Star Wars: The Force Awakens On Netflix 2015









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[Watch] Star Wars: The Force Awakens On Netflix 2015




Filmteam

Coordination art Department : Ulysse Janai

Stunt coordinator : Jovanni Miossec

Script layout :Pinon Darci

Pictures : Vang Ansel
Co-Produzent : Tristan Bernard

Executive producer : Pétain Mujibur

Director of supervisory art : Aure Rivas

Produce : Nasir Assem

Manufacturer : Garat Light

Actress : Laubier Libéral



Thirty years after defeating the Galactic Empire, Han Solo and his allies face a new threat from the evil Kylo Ren and his army of Stormtroopers.

7.4
14224






Movie Title

Star Wars: The Force Awakens

Moment

115 minute

Release

2015-12-15

Quality

SDDS 1440p
Blu-ray

Genre

Action, Adventure, Science Fiction, Fantasy

language

English

castname

Gareth
I.
Matilda, Tougas D. Lucyann, Bearse W. Soriano





[HD] [Watch] Star Wars: The Force Awakens On Netflix 2015



Film kurz

Spent : $303,212,440

Income : $430,622,936

category : Egal - Programm , Hölle - Betroffene Ethik , Liebe - Bondage , Fotografie - Kampfkunst

Production Country : Araber

Production : HighLife Productions



So where were you when the Science Fiction cinema sensation ‘Star Wars’ took shape and captured the imagination of the massive global moviegoers’ escapist expectations back in 1977? Regardless of whether you existed thirty-eight years ago or not, the legend of George Lucas’ highly-heralded SF blockbuster that shattered box office records worldwide was automatically engrained in your cinematic psyche. Now nearly four decades later, the motion picture phenomenon that took place in ‘a galaxy a long time ago…far, far away’ has come to expand its entertaining promise and prominence even after numerous servings of movie sequels, television specials and other fanfare attributes that promoted the ‘Star Wars’ agenda throughout the countless years.

The modern-day arrival of yet another ‘Star Wars’ edition in the millennium movie-making age of technical and tactical brilliance is quite fitting and filmmaker J.J. Abrams is the right choice to helm this sacred film franchise and present a whole new litany of continuing adventurous narratives for a new generation of ‘Star Wars’ personalities dipping their tenacious toes into ‘the force of goodness’ battling ‘the dark side’ of authoritative evil.

In Abrams’s reboot ‘Star Wars: The Force Awakens’, the anticipation of enhancing and enlightening the reputation and respect of the Lucas landscape of stormtroopers, light sabres and of course the iconic ‘Star Wars’ returnees from the treasured trio of Harrison Ford (Han Solo)/Carrie Fisher (Leia) and Mark Hamill (Luke Skywalker) registers with a nostalgic blast of appreciation and exhilaration. ‘The Force Awakens’ is a sheer big screen celebration of majestic impishness and intrigue that will fortify the hunger of both casual and rabid ‘Star Wars’ fanatics. Indeed, the hype is warranted and Abrams, the mastermind of the big-budget movie sequelitis, is in top form as he triumphantly presents ‘The Force Awakens’ on a prized silver platter designed for its surging golden moments of charged ebullience.

In looking at the numbers game that is connected to the overall ‘Star Wars’ universe, it is hard to believe that the last prequel was released just a decade ago. Furthermore, it is mind-boggling that the aforementioned ‘Star Wars’ ‘royalty’ in Ford, Fisher and Hamill have shared the same space on film for the first time in over three decades since they last were featured in a ‘Star Wars’ movie together. Nevertheless, no one can deny that ‘The Force Awakens’ does not take the challenge in combining the remembrance of the ‘Star Wars’ installments of yesteryear with the fresh brand of current upstarts willing to engage in another boisterous saga that begins a whole chapter of compelling wonderment. The mix of veterans and novices in ‘The Force Awakens’ is quite interesting but the familiarity of the storytelling heft of good vs. evil is always a solid sell in the realm of the ‘Star Wars’ utopia.

The good news is that ‘The Force Awakens’ not only serves as a bridge that crosses both boundaries past and present in ‘Star Wars’ folklore but it taps into the masterful mystique that Lucas and company worked so diligently to showcase so historically some thirty-eight years ago. Still, some may have lobbied for a stronger storyline in ‘The Force Awakens’ as they may gently dismiss it as being merely thin in its premise while viewing it primarily as a launching pad to develop yet another series of movies to create the ‘Star Wars’ juggernaut for this current-day climax of warped speed wizardry. For those that want a basic outline of ‘The Force Awakens’ pulse it is as such where the beloved yet aging tandem of standouts Han Solo and Chewbacca (yes, good old hulking and walking hairball Chewie is back) is helping out heroic new bloods’ Rey and Finn (played by Daisy Ridley and John Boyega)’ in an effort to groom them for combating the emergence of Kylo Ren (Adam Driver), a villainous representative from the Dark Side of the Force.

Basically, ‘The Force Awakens’ is a grand and stirring homage to the prolific Science Fiction/space fantasy that dared to soar its ambitious wings while taking the old-fashioned concept of the good guys sparring with the bad guys and spinning a whimsical web of dark imperialism while searching for the intrinsic value of brotherhood. One cannot imagine the vitality of ‘Star Wars’ without the inclusion of notable and favorite characterizations that were instrumental in inviting a ravenous response to this filming phenom that has existed in your pop cultural lives for too many years to recount. In addition to joining top dogs in Ford’s Han Solo, Hamill’s Luke Skywalker, Fisher’s General Leia Organa (the former Princess Leia to all you old school ‘Star Wars’ enthusiasts out there) and Peter Mayhew’s Chewbacca, there is the welcomed presence of C3-PO (Anthony Daniels) as well. As for C3-PO’s newest sidekick BB-8, a mechanical rolling ball robot, he is the R2-D2 replacement that should easily win the heart of the kiddies looking for a cute contraption of a companion to treasure on the spot. It should be pointed out that ‘The Force Awakens’ is set 30 years from the last installment and thankfully this update has not lost a magical step since that time.

Anyhow, the First Order’s solar system mechanism needs to be destroyed and must be eradicated by the young talents in spunky and pretty Rey (think the athletic female version of Luke Skywalker) as she teams up with former stormtrooper Finn, a warrior with an uncharacteristic compassion for not killing any designated weak soul as instructed. Naturally, this duo (while under the tutelage of the mature and ragged-looking Han Solo) has their hands full as they clash with the nefarious General Hux (Domhnall Gleeson from ‘Brooklyn’) and his Special Forces protégé Kylo Ren that strikes an immediate comparison to ‘Star Wars’ most notorious bad boy in the deliciously ruthless Darth Vader.

Daisy Ridley's Rey and John Boyega's Finn are having a blast as the touted twosome out to save the day in J.J. Abram's celebrated STAR WARS reboot THE FORCE AWAKENS
Daisy Ridley’s Rey and John Boyega’s Finn are having a blast as the touted twosome out to save the day in J.J. Abram’s celebrated STAR WARS reboot THE FORCE AWAKENS
Thankfully, the majority of the audience may recall similar elements in ‘The Force Awakens’ that was touched upon in ‘Star Wars’ editions such as ‘A New Hope’ and ‘Return Of The Jedi’ where the same structure and theme of the plot points are somewhat revisited. As charming and stimulating as ‘The Force Awakens’ appears in its glorious presentation of being a beautifully shot and visually vibrant popcorn piece, the real find in Abrams’ spectacular space-aged spectacle is Ridley’s heroine Rey, whose emotional and physical commitment to this futuristic fable feels grounded in genuine suspense and praise. Ridley has legitimate game and carries this hot and heavy galactic actioner on her sturdy shoulders with the overwhelming pressure of headlining a cinema giant looking the re-enter the consciousness of rabid ‘Star Wars’ aficionados everywhere. Clearly, we are invested in Ridley’s Rey whose feistiness never undercuts her feminine convictions or courageousness. She runs circles around her male co-stars in fellow ‘Star Wars’ newbies Boyega/Finn and Driver/Kylo Ren and her sense of empowerment is what drives the authentic Force behind Abrams’ inherited ‘Star Wars’ workload.

‘Star Wars: The Force Awakens’ gleefully ignites the flashy flames of giddiness that we all associate with George Lucas’ indomitable big screen creation. The signature flourishes from composure John Williams’ commanding musical score to the stunning and innovative technical tweaking to the mixture of the old and new guard in front of the camera all make for an eventful and exciting return to the universal staging for a movie-making moment that will stand the test of time, the immense pop cultural movement at the movies known as ‘Star Wars’.

Star Wars: The Force Awakens (2015)

Lucasfilms

2 hrs. 15 mins.

Starring: Harrison Ford, Daisy Ridley, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Peter Mayhew, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Kenny Baker, Anthony Daniels and Max von Sydow

Directed and Co-Written by: J.J. Abrams

MPAA Rating: PG-13

Genre: Science Fiction/Action and Adventure/Space Fantasy

Critic’s rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
A very entertaining film filled with immensely fun nostalgic moments and lots of laughs, but this is movie is not perfect, no it is not.

**Spoiler alert!!**

This movie is an exact copy of the 4th one and this frustrates me more than it should. Although new characters and mysteries were introduced, the plot was too similar to the 4th film, but hey, at least they blew up the republic so no more boring bureaucracy!
One more thing that bothered me a lot is Kylo ren, not the character, the actor. I mean they couldn't pick an uglier wimp? I mean no offense Adam Driver, but bad guys need to look badass, and once you took of your helmet, you lost all hope of becoming a badass.

**Summary:**

Definitely a movie worth watching despite minor setbacks.
Slumber Earthquake.

There really is no point trying to do an in depth review of this, it falls in line with a number of series blockbusters that are guaranteed to garner rabid responses, pro and con.

The Force Awakens is a film of many flaws, it has a pungent whiff of safeness about it, the charges of it being a glitzy remake are fair enough, while certain plot strands are frustrating and set to be big talking points for years - and years - to come.

Yet what about its worth to someone who is not obsessed with every finer detail? Someone who just loves the Star Wars universe as a spectacle prism of entertainment, and has just wanted a Star Wars film worthy of being fit to sit alongside that original trilogy?

This made me feel 11 again, took me back to a time in 1977 when I queued for three hours to see such wonders on the big screen. The Force Awakens is, in spite of the recognised flaws, a loving homage to a past love. It's sly with humour and nods to foundations, a blitzkrieg of effects and sound work (my Blu-ray viewing had my sub-woofer doing a jitterbug in the lounge), and it doesn't shy from surprise or the dangling of the carrot.

The makers have big heart and technical invention, the cast vibrant, spunky and strongly committed to the cause - the old hands a very reassuring presence - Yeah, so it's not sci-fi perfection, or any Star Wars geeks' idea of the perfect Star Wars movie (oh J.J. Abrams you devil you!), but it made this middle aged guy shed a tear of happiness. A moment to reaffirm why - as a young lad - I fell in love with film in the first place. 9/10
**The Force Awakens: A New Hope 2.0**

The highly-anticipated follow-up to the Original Trilogy treads through familiar waters, taking the "safe route" approach. Though The Force Awakens has its fair share of phenomenal moments and is definitely an improvement over the Prequel Trilogy, its reliance on using the Original Trilogy (mainly A New Hope) as a template feels nothing more than an imitation of events that occurred prior.

At the end of Return of the Jedi, the Empire suffered a great loss, with the destruction of the Second Death Star and deaths of The Emperor and Darth Vader. It was implied that Luke, the last surviving Jedi, would restart a New Jedi Order (based on Expanded Universe media, which has been declared non-canon by Disney). That is indeed what happens; however, a rogue student of Luke's slaughtered his peers, seduced by the mysterious Supreme Leader Snoke of the First Order and adopts a new identity as Kylo Ren. In summary, the Jedi Order did indeed happen (off-screen), but gets wiped out (off-screen, again), leaving Luke the last surviving Jedi and retreats into exile (off-screen... seeing a pattern?). The Empire is basically resurrected as the First Order, with the Rebel Alliance becoming the Resistance, and once again, they're tasked with destroying a gigantic ball of death. Sounds an awful lot like A New Hope, as a modern-day "soft reboot."

Droid carrying top-secret info? Check.
Villain dressed in black with mask? Check.
Protagonist lives on desert planet? Check.
Discover that they're indeed Force-sensitive? Check.
Han Solo and Chewbacca escorting our heroes to destination? Check.
A cantina featuring a cantina band? Check.
Mentor figure (Obi-Wan in ANH, Han Solo in TFA) killed by villain? Check.
Battle of Death Star (Yes, I'm calling Starkiller Base a Death Star)? Check.
Does big ball of death get destroyed? Check.

Rey is indeed a Force-sensitive individual, but throughout the movie, she is just as good a pilot as Han Solo, is able to use a Jedi mind trick with ease, and easily overcomes the villain (Though it could be argued that due to Kylo Ren's injury from Chewbacca, he was weakened). There better be a damn good explanation as to why Rey is so strong with the Force when The Last Jedi is released. Anakin and Luke required training to become a Jedi, Rey is basically a pro with little to absolutely no training.

Finn... Though I did enjoy the idea of a Stormtrooper defecting from the First Order and eventually helping out the heroes, Finn got annoying quick. From cringe-worthy lines to his constant "Gotta get away from the First Order" state of mind, he should have been a more battle-hardened individual who eventually became disillusioned with the First Order. His more cowardly approach to defecting wasn't very well-executed. But I gotta admit that the relationship between him and Poe Dameron was well-done. Didn't feel forced, just felt natural. Him standing up to Kylo Ren in a duel made me respect his character a lot more. His battle with the other Stormtrooper was just amazing. I'm honestly hoping his character develops more in The Last Jedi.

I liked Poe Dameron from the get-go. From being a smart-ass to Kylo Ren to taking out multiple TIE Fighters, Poe is definitely a welcome new character to the Star Wars universe. Especially BB-8, just an absolute ball of cuteness. BB-8 was one of the two new characters that really stood out to me. Funny how Star Wars manages to make you like the droids so much.

Han Solo and Chewbacca play a substantial role in this film. Han Solo's death was beyond tragic, just seeing an iconic character we saw develop from a selfish, Force-denying individual to taking charge in dire times (putting his life on the line). Once Han Solo yelled out his son's name, I knew his time was up. Leia, now a General, doesn't really get much time to shine. She and Han have been broken up for some time now (I'm guessing since Ben Solo became Kylo Ren), but their bantering still remains. C-3PO (now with a red arm) and R2D2 (in low power mode due to Luke's departure) are basically given minimal roles in favor of BB-8. Luke Skywalker made an appearance in the very final moments of the movie, but does not utter a word. Just seeing his expression when Rey hands him his father's lightsaber was more than enough.

A quick summary of other characters: Captain Phasma, a more useless female version of Boba Fett. Maz Kanata, a color and gender-swapped Yoda who somehow manages to obtain Anakin's/Luke's lightsaber. Supreme Leader Snoke, a mysterious figure leading the new Empire (sorry, First Order) and first appears as a hologram (like the Emperor). General Hux, deliverer of a Hitler-like speech to his space Nazis.

Kylo Ren. In my opinion, Kylo Ren is the best part of the entire movie. Sure he worships his deceased grandfather Anakin Skywalker/Darth Vader and flips out into extreme tantrums, he is more than just an ordinary one-dimensional villain. He worships Darth Vader because he wants to carry on his legacy of killing the Jedi and achieve his intimidating status of being a ruthless individual. He is torn by both sides of the Force. He is indeed strong with the Force, stopping blaster shots in mid-air, freezing people in-place, and can probe the minds of others as a method of torture. His unstable crossguard lightsaber is appropriate for his uncontrollable anger and conflicted state of mind. Once he killed Han Solo, there is no hope for him returning back to the Light. He became a full-on evil person. I'm ready to see the damage he will do in The Last Jedi.

The action/set pieces were very well-done and that opening sequence with the raid on the Jakku village is one of the best and most chilling moments in all of Star Wars. The Battle of Takodana and the resulting battle was phenomenal and seeing Poe take out multiple TIE Fighters make him an exceptionally skilled pilot, even moreso than Luke. The final battle between Rey/Finn and Kylo Ren didn't feel choreographed at all, just felt like a battle between novices, unlike the highly-choreographed kicks and flips and lightsaber-twirling present in the Prequel Trilogy. Rey and Finn leaving Jakku in the "garbage" ship and the whole sequence through the Star Destroyer graveyard was beyond phenomenal.

Though The Force Awakens does indeed take steps forward to move the franchise forward into a new direction, it takes several steps back into familiar territory. And yes, it feels as if I have been ripping on this movie, but in my honest opinion, The Force Awakens is a solid entry to the Star Wars franchise. The action set-pieces were so well-done, the nostalgic factor of the Original Trilogy is prevalent, Kylo Ren proved to be a well-developed villain with room for improvement, and the relationships between the characters feels so organic and fluid-like, as if they're all cohesive with one-another.

My Rating: 7.5/10.0
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Star Wars: Episode VIII - The Last Jedi (2017) was just released, but my time didn't yet allow me to watch it. However, I do have time to review the film that started this new trilogy: The Force Awakens. At the time, it was my most anticipated movie of the year and I placed it second on the list of my favorite films of 2015 (just a bit below Mad Max: Fury Road).

So, yes, I do love this movie and it is definitely on the top3 of the saga! The cast choices are the undoubtful proof of the huge success that this film achieved. Daisy Ridley (Rey) is a massive discovery, her talent is limitless and she embraces her role like no other. She delivers a very emotional and powerful display, showing all of her acting skills. I can feel that she is 100% committed to her character and what a character to portray at your first big movie appearance.

Rey is excellently-developed throughout the film, she might mislead people into thinking she is just a mere scavenger, but once the movie gets going, she becomes an awesome character sharing some of the most epic moments in the whole runtime. She has an oddly mysterious backstory, which is going to produce theories and plot twists that I can't wait for, in the next films.

John Boyega (Finn) is a fantastic supporting actor and another great casting. He brings just the right amount of humor with some exceptionally delivered lines and his facial expressions and timing are perfect. Finn is going to be one of the audience's favorites for sure, his journey to encounter Rey is interesting and unique in the saga. In my opinion, it is his story that carries the beginning of the movie and that sets up a lot of characters and plot points.

Adam Driver as Kylo Ren ... Oh. My. God. What a performance! Driver is so subtle in the most meaningful moments but so compelling in the most menacing ones. He elevates Ren into a phenomenal antagonist with a splendidly written script. J.J. Abrams and co. do a wonderful job writing both the plot and the characters. Kylo Ren stands out, he is a multi-layered character with so much untold and hidden behind his personality and intriguing past. Once again, there are many theories and plot twists ahead that I'm drooling to know which one they are going to follow with.

Oscar Isaac is very exciting as Poe Dameron, another fabulous addition to the franchise. His character creates an honest bond with Finn and their interactions are pretty cool. They share some amazing scenes and Poe has all of the awesome X-Wing fights, which are outstanding. Supreme Leader Snoke (Andy Serkis) does not show up that much, but he definitely is a very threatening presence and a very well achieved motion capture work.

As for the original cast/characters, Harrison Ford has one of his best performances in the more recent years. Han Solo is one of his most popular characters and he portrays him flawlessly. Carrie Fisher returns as Leia and she offers a touch of reality to all of this. Every time she is on screen, everything becomes more realistic and tangible due to her graceful and humble display. Chewbacca has the usual funny "dialogues" with Solo and some glorious action set pieces.

BB-8 is what people feared the most since he could easily be annoying or irrelevant. Thankfully, he is another checkbox on the list of marvelous additions to the Star Wars universe. It is mind-blowing how a droid can provide so much laughter and terrific action scenes, he is unquestionably a toy worth spending your money on for Christmas. C-3PO also appears and elevates the level of nostalgia that everyone is already full of.

Moving to the technical aspects of the film, J.J. Abrams proves himself to every single person that doubted him since he is the main reason why this movie is one of the greats. From the seamless editing to the great camera work during the impressive action sequences, he enhances the story so much with his distinct use of visual storytelling. It feels like a real film and not just a Star Wars typical movie.

The visual effects are top notch and the cinematography could not be better due to the unbelievable practical backgrounds. Abrams uses a lot of long, wide shots with beautiful landscapes and mostly everything is real (besides the obvious, there is very few CGI, less than you probably think), which transforms every scene, every shot, into something more special. The tone is very well balanced between comedy and action, the storytelling process is astonishingly well handled and the pacing always maintains the tremendous excitement.

One of the common issues of all Star Wars films are the excessive exposition scenes. Well, J.J. massively improves on that aspect having just a couple of them and I am counting the traditional text that starts the movie. Like I said above, there is an extensive use of visual storytelling, in other words, everything that you see is giving you information while advancing the plot without actually literally telling you what is going on or what is going to happen.

John Williams' score continues to superbly accompany every scene, not only the action ones, but it also strengthens dialogues. I love the ending, but here is where both fans and critics are going to become very divisive. It ends with a huge cliffhanger and some people are going to be disappointed because they are left with this feeling of unfulfillment and if you don't know how to deal with it, you might think you didn't enjoy the film.

The truth is you can't have everything right now. This is a trilogy, so it is absurd to even expect that you are going to have everything that you wish for in the first movie of a new era. I wanted more from the second the film finished, I also felt a bit let down because the movie concludes with something I had been expecting forever. However, this is a great feeling to have because it means the film meant something, it means the movie was so amazing that I just can't wait anymore for the next one!

Nevertheless, The Force Awakens can't escape some minor flaws. While pretty much every single character is great, Maz Kanata (Lupita Nyong'o) is not. With so much practical effects surrounding every environment, a 100% CGI character is going to (negatively) standout. Besides, the whole subplot involving meeting with Maz feels a bit unnecessary and the story could have easily progressed without her.

However, my main issue with this film is its lack of originality when it comes to creating a new actual danger for the galaxy. I mean, the Starkiller Base is essentially another Death Star, just bigger ... Really? They couldn't figure out anything else besides another giant planet destroyer? It does not reflect J.J. Abrams' incredible direction and the production team's excellent work, at all.

Finally, there are some "problems" that I don't yet know if they are, in fact, problems. This is the first movie of the trilogy and some things happened that I don't know how or why they did, so I can't really fault the screenplay ... yet. We all know the huge plot device that Episode IV - A New Hope (1977) supposedly had for decades, but then Rogue One: A Star Wars Story (2016) was released and brilliantly solved what was already considered an internet meme.

This film does not have such a massive plot device, but there is one little moment that occurs in the first act that I still don't know if it is, in fact, a flaw or if there is an explanation waiting for us in the next movies.

All in all, The Force Awakens proves that the Star Wars franchise is still, very much, alive! This is easily one of the best films of 2015 and one of the best in the franchise. It features an outstanding cast with some excellent performances from the new actors joining the saga and powerfully nostalgic displays from the original members. Incredibly-developed characters carry this movie with the help of a mysterious and captivating screenplay, as well as a lot of visually exciting action sequences. J.J. Abrams has his stamp all over the film, with beautiful wide shots, massive practical effects, and exceptional use of visual storytelling. A cheap third Death Star and some very minor issues here and there don't allow the movie to shine flawlessly, but it is still freaking awesome! It undoubtedly belongs to my Top3, behind Empire Strikes Back and A New Hope.

Rating: A
**The following is a review that I originally wrote in 2015.**

Was it perfect?
No.

Was it basically a shot for shot retread of A New Hope?
Yeah.

Did it under-develop characters and plots of almost everything interesting to near Boba Fett-ian levels?
Sure.

Did the entire thing rely on about 47 ridiculously implausible complete coincidences that the story would have fallen apart without?
Sounds accurate.

But after more than three decades, is Star Wars finally back?
Damn right.

Apart from my just plain enjoying it, The Force Awakens makes me excited for the future of the franchise the first time in.. Well ever really. I liked the blend of new and old material, but I hope that moving forward, the series relies more on the new. I don't mean ditch all the original characters, I just mean we don't need endless callbacks to the past in Episode VIII. It worked fine for this one, and I totally get needing to re-acclimatise audiences, so I'm absolutely understanding of it in this case. But I hope they get away from that in future, and it seems very much as if that's the direction they're taking.

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[Watch] The Parts You Lose On Netflix 2019

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[Watch] The Parts You Lose On Netflix 2019









The Parts You Lose 2019-oxford-mode-hamm-2019-matter-The Parts You Lose-marwen-google-stream-WMV-shooter-referred-protagonists-2019-flight-The Parts You Lose-actions-Rent The Parts You Lose Online Movie HD-mckay-drum-rockwell-2019-courtney-The Parts You Lose-perpetrator-spoilers-2019-untertitel-company-mountain-2.9-2019-beale-The Parts You Lose-lin-MPE-shawn-ice-tactical-2019-working-The Parts You Lose-international-123movies.jpg



[Watch] The Parts You Lose On Netflix 2019




Movieteam

Coordination art Department : Garima Areli

Stunt coordinator : Nafisah Reginia

Script layout :Oury Badar

Pictures : Slade Zain
Co-Produzent : Omar Syan

Executive producer : Nguyen Sohane

Director of supervisory art : Orges Thom

Produce : Shaiya Rumeysa

Manufacturer : Rébecca Théa

Actress : Arnauld Guerra



An unlikely friendship unfolds between a young deaf boy, Wesley, and a fugitive criminal who takes refuge in an abandoned barn on the family’s rural North Dakota farm.

6.2
19






Movie Title

The Parts You Lose

Time

183 minutes

Release

2019-03-14

Kuality

MPEG 720p
HDRip

Categorie

Drama, Action, Thriller

speech

English, Italiano

castname

Maisah
S.
Willena, Cain S. Ayshe, Yamina S. Kameron





[HD] [Watch] The Parts You Lose On Netflix 2019



Film kurz

Spent : $433,019,996

Income : $577,837,224

Group : Logik - Schauplätze , Lustig - Bondage , Anthologie - Skepsis , Wissen - Hoffnung

Production Country : Deutschland

Production : Sony Pictures



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[Watch] Like a Boss On Netflix 2020

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[Watch] Like a Boss On Netflix 2020









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[Watch] Like a Boss On Netflix 2020




Filmteam

Coordination art Department : Tyga Bourvil

Stunt coordinator : Lugné Metin

Script layout :Lady Vinita

Pictures : Taryll Clay
Co-Produzent : Lagueux Castor

Executive producer : Raissa Chaya

Director of supervisory art : Nola Syrine

Produce : Bridges Picavet

Manufacturer : Denyse Denzil

Actress : Hannes Isaiah



Two female friends with very different ideals decide to start a beauty company together. One is more practical, while the other wants to earn her fortune and live a lavish lifestyle.

6.5
182






Movie Title

Like a Boss

Clock

182 minute

Release

2020-01-09

Kuality

M4V 1440p
DVDrip

Genre

Comedy

language

English

castname

Himly
C.
Sajidur, Parrot M. Delmer, Alvyn X. Collin





[HD] [Watch] Like a Boss On Netflix 2020



Film kurz

Spent : $575,156,838

Revenue : $977,567,162

category : Kosmisch - Bibliothek , Dialog - einfallsreich , Journalismus - Du Son , Porträt - Vernachlässigung

Production Country : Mazedonien

Production : Speakman Entertainment



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